Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Tuesday, May 17, 2022

I've Seen The Future Of Christian Worship Music...

 With the packing, organizing and house search, we needed a night out.  So we went to see our final Vegas concert as locals.  We've seen For King & Country several times before and this would be the first time since the release of their new album.  The surprise would be the opening act Dante Bowe.

We had heard of Bowe before with his recent solo singles and his work with Maverick City Music.  But, I have to say that he is electric.  He works the stage with swagger and command.  He emotes moments of pain, heartache and joy in ways that brings you into the moment.  I took a moment to tell the wife, "That's the future of gospel and contemporary Christian music."  Absolutely amazing.

For King & Country were still great.  I miss the set from their Burn The Ships tour but they didn't disappoint as they brought in some props from recent videos and took flight (you'd have to see it.)  They even brought Bowe back out for, "Unity," a song from their new album.  Fun time and it was a good way to enjoy one of our last nights out in town.




Wednesday, May 20, 2020

Under The Influence: Alpha



During the 5-year run of Talking 80s Music, I mentioned 1983 and how important that year was musically to me.  I've had a long-standing belief that a lot of the influence on your music choices come from a young age... as early as 12.  (I'd still love to see a research paper on it.)  I specifically remember being at a friend's house (her name was Princess) for a birthday party and, prior to the party, they had MTV on.  I recall 2 specific songs from that day, "Puttin' On The Ritz" from Taco and "Don't Cry" from Asia.  One got me into modern Jazz covers and the other put arena rock on the musical map for me.  I still have this on vinyl in a box in my closet.  Such a beautiful cover created by Roger Dean.

There is something upbeat and optimistic about "Don't Cry" that also touches on that inner white knight in me.  I also found myself endeared to the emotional "The Smile Has Left Your Eyes."  So many good moments on here like "Last To Know," "The Heat Goes On," "Never In A Million Years" and "My Own Time (I'll Do What I Want)" but this is probably the first album that I wanted to hear in order.  The singles were great but I really liked the balance in energy from song to song.  The production and use of keyboards to enhance the landscape of the music impressed my young mind.  I definitely believe this led me into the rest of their catalog, Styx, Journey, Foreigner, The Alan Parsons Project and Rush.  This almost didn't make it here but a lot of albums are going to miss this list.

Sunday, May 17, 2020

Under The Influence: Johnny Diesel & The Injectors



Staring at me right now is a 7-piece set of Hohner Piedmont Blues harmonicas on my DVD shelf in my office.  I really do need to spend some time with them soon.  You see, I had a cheap little harmonica that I would carry in my black leather jacket during high school.  Now, I could barely play a blues riff on it but I loved it.  During that time, I had a rotation of cassettes for my VW in a storage case usually under the passenger seat.  1989's eponymous debut Johnny Diesel & The Injectors would become my blues fix.  I caught a video for, "Don't Need Love," their first single from the album on MTV late at night and was drawn in.  This album would send me off to shop later for Stevie Ray Vaughan & Double Trouble, Eric Clapton and the Robert Cray Band.

The album has my favorite rendition of "Since I Fell For You" on it as well as a few other standards.  But, the originals like "Don't Need Love," "Cry In Shame," "Fire Without A Flame," "Lookin' For Love" and "Soul Revival" kept me going back.  Mark Lizotte is still one of the most underrated guitarists out there to this day.  He makes his instrument cry all over this album.  The sax really holds its own on these tracks while the rhythm section is solid.  I'm probably going to listen to it again, right now.

Friday, May 15, 2020

Under The Influence: Mind: The Perpetual Intercourse




Remember me mentioning 'found sounds'?  Well, that's what leads us here to Skinny Puppy's 1986 album, Mind: The Perpetual Intercourse.  This had to be here as it made a big influence on my music purchases and enjoyment.  This was the kind of music that when I was my worst moods, I would turn off the lights, lay down, close my eyes and escape into -- knowing that life really was better when you returned from the journey.  I remember hearing some tracks at a friend's house and at that time I would listen to KUNV's program Difficult Listening which would challenge the brain a bit.  So, back to found sounds, Skinny Puppy has a way of taking it to a different level by including movie lines, guitars, vocalist Ogre's abrasive spoken-word poetry and sampled sounds all on top a layer of synth.

The progression of the band's career musically is worth hearing.  But M:TPI is one of their big steps forward.  Too many great moments here to list from opener "One Time One Place," the stunning "Love.," "Deep Down Trauma Hounds," "200 Years," "Chainsaw," "Addiction" and much more.  This album may not be for everyone but I believe musically and in life we have poles.  We have markers that set boundaries and Mind: The Perpetual Intercourse set a flag further out on my musical landscape than any other.  It made it easier to describe acts like Ministry, Throbbing Gristle and Nine Inch Nails.  So, if you are looking to expand your borders... take a journey.

Thursday, May 14, 2020

Under The Influence: Some Great Reward



I specifically remember the video for "People Are People" first appearing on local UHF music channel KRLR 21.  At that time it was branded as Las Vegas' Vusic (video music) Channel.  Yes, if for some reason you didn't have MTV for a time, you had KRLR.  So the video first appearing was my first introduction to industrial 'found sounds.'  I was lucky enough to discuss the topic with Andrew McCluskey of OMD during a Talking 80s Music episode several years ago.  Some Great Reward was also an introduction into the impressive songwriting of Martin L. Gore.  It barely beat out the less experimental but much more endearing Music For The Masses but if the list is about inspiring me musically...this one earned it.

Depeche Mode's 1984 album was a 9 song journey through love, faith, BDSM, equality, change and desire.  I remember sitting in the back seat of a friend Julee's car and hearing "Blasphemous Rumours" and thinking the line "I think that dog's got a sick sense of humor" was insane but maybe a quizzical blurb.  My misunderstanding, funny as it was, brought me closer to the song which examines faith in controversial moments.  "Somebody" is probably one of the most beautiful presentations of one's hopes for a future relationship...which is why it is used at many weddings.  I could actually go through each track on this album and how they affected me but it's something you should do yourself if you haven't.

Wednesday, May 13, 2020

Under The Influence: Shout At The Devil


Not my first experience with the genre of heavy metal, but Motley Crue's 1983 sophomore album, Shout At The Devil, was an important step for me.  Personally, it was a strange time as I received a copy of it from a beautiful girl who meant a lot to me.  I believe she was also the first girl I ever kissed, but we aren't going to out her here as she has and created an amazing life and family since.  It was a gift around a time that I was changing schools and my parents had divorced.

I still can visualize the moment after school on the day that I put the cassette into the stereo and cranked it up (because it starts so softly.)  I also remember racing to the volume knob to turn it down seconds later.  The intro "In The Beginning" is epic and very dystopian.  It's funny to see this in context as I just posted about the Beatles and this includes a great cover of their "Helter Skelter." It could be the teenage angst, family issues and emotional issues that most of the songs made a connection.  The singles were solid and each song made you want to sing along... well except the instrumental for obvious reasons.

I believe that because it didn't come with lyrics, photos and all the promotional fixings that imagery was overlooked on my part.  As I am usually focused on lyricism, the words meant less to me because I wasn't reading along during my first listen. 

The album still takes me back to a time in my life full of change.  Shout At The Devil may not have led me to the occult but led me towards other albums and artists.  I think metal guitar has a purpose and I felt it first here on an album full of rebellion, energy and passion.

Tuesday, May 12, 2020

Under The Influence: Sgt. Pepper's Lonely Hearts Club Band



I decided to use the blog to expand upon the intentionally vague Facebook posts about the top 10 albums that influenced my musical tastes.  Just the covers are posted there but I figure context is pretty important and why not rant a little on them.

The early 1980s in Las Vegas were an interesting time for radio as we had stations regularly playing older music.  I believe a lot of this could be due to the 1981 release of the "Stars On 45 Medley" single which started with a few other songs ("Venus" and "Sugar, Sugar") which lead into The Beatles songs ("No Reply," "I'll Be Back," "Drive My Car," "Do You Want To Know A Secret," "We Can Work It Out," "I Should Have Known Better," "Nowhere Man" and "You're Going To Lose That Girl.")  The following year, The Beatles would be behind the release of  "The Beatles' Movie Medley," which would include "Magical Mystery Tour," "All You Need Is Love," "You've Got To Hide Your Love Away," "I Should Have Known Better, " "A Hard Day's Night," "Ticket To Ride" and "Get Back."  This resurgence also saw two reissued singles, "Love Me Do" in 1982 and "Twist And Shout" in 1986 (mostly due to the success of Ferris Bueller's Day Off.)  So, amidst the embers of disco and emerging New Wave was something retro and different.

The song "Nowhere Man" from Stars On 45 stuck in my head.  I don't know why but I would even harmonize with a friend in elementary schoold singing the song and a few others.  But, it is funny that I only knew the snippet that was from the medley.  But my interest in the songs and the Beatles' music would later inspire my mother to pick up a copy of Sgt. Pepper's Lonely Hears Club Band on cassette for me.  I delved deep into the 1967 creation until the wheels on the cartridge seized and tape spewed everywhere.

I am a true believer in music challenging the listener's ear.  My 3 listens rule definitely applied here but I think the pop sections reel you back in for more.  The stylistic range of the album is as wide as the subject matter and vocal styles.  I think this really this opened me up to accepting a lot of different sonic templates which you will see on this list.  That's what an influence is, isn't it?


Wednesday, October 25, 2017

Rocking Out Behind The Keyboard




I've mentioned my history with music before this on the show as well as in print but sometimes your past comes back to bite you in the butt.  Ok, maybe...flick you on the ear.  These were good times.  I was a member of, Fak-Shen, a local band with a few songs on rotation locally and we had a nice following.  Someone out there probably even has a rare cassette from us.  Brian, Mike and myself had known each other as friends for years prior and were pre-AOL technophiles that would get together weekly.

Performing and setup can be a great test for an electronically structured group.  We had our mishaps like most bands.  Then there was a multimedia showcase called Mr. Bondi's Soundhouse held at Fremont Street Reggae & Blues that we were part of on Feb. 21, 1995.  The idea was that we'd play about 3 songs or so and they would film it.  So, what you see is a part of one of our songs with some playful editing by visual artist Anthony Bondi.  Definitely dark video for a not-so-upbeat song but understandably a reason for them to play with video effects.

I remember us getting a single copy of it later but have no idea who ended up with it or where it wound up.  So it was a welcome treat to see Mike send this to me this morning.  We can trick ourselves as we get older.  When you list your accomplishments, you may omit some things or embellish others.  Yet, sometimes it's just nice to have proof of your past.

Friday, April 22, 2016

The Sky Was All Purple...


It is a classic line and yesterday it ran through a lot of brains.  How does one moment define you?  Although the song "1999" wasn't Prince's first hit, it was the first single associating him with the color purple.  Then "Purple Rain" came and reinforced it... along with a movie and some colorful pseudo-Victorian attire.  That moment in time associated the man with the color.  Very strange.

I was contacted yesterday and reminded that I would have been neck-deep in research and song selection for an episode of the show focused on 'the artist' if I was still doing the show.  I would have also been doing so for David Bowie a little bit ago.  I actually miss it and love the research as much as the presentation.

I guess, the hard part about defining ourselves by something, even for a short time, is that we can let ourselves become a template.  Kind of like cookie dough filling in the area of a cookie cutter, we will never be more than that shape until we ditch or change the cutter.  Ending the show was a moment to reclaim the rest of the dough.  Some artists do that to avoid being stereotyped (search MC Hammer Funky Headhunter for kicks) and, heck, a lot of people would like to confine an artist to being defined by one hit single.

Today is a day to remember that you are more than your public perception, definition, color or greatest achievement.  Unless, you happen to be happy with that.

Tuesday, September 23, 2014

BDC Release "Blow Me"

I was fortunate enough to interview Nick Richards of Boys Don't Cry a few years ago and got to hear an early demo of a few of their new recordings.  Well, one song called "Blow Me" is now being released as a single via iTunes.  It's fun, funky and a little brash.  I personally love the little keyboard bits here and there and tension it adds to a fun song.  I'd urge you to pick it up but, heck, why not hear it first?


Friday, November 22, 2013

The Family Mode: Musical Bonding



Fans of the band Depeche Mode will really enjoy this but it's still a curiosity for non-fans and maybe a hater or two.  Dicken Schrader is simply a creative man -- the native Colombian is a video artist with skills that become more apparent (a parent... didn't expect that one to slip in here) as we go.  Possibly his biggest gift is being able to bring his family together with music.

In 2010, Dicken started recording music videos with his kids Milah and Korben under the name DMK covering songs by Depeche Mode.  The first one, a version of "Shake The Disease," started the ball rolling and you can see the the kids' progress.  The videos are getting... well, let's put it this way, their version of "Everything Counts" now has 2.6 million views (not counting yours of course.)  They have even moved on to performing live -- as seen in the final video posted below.  So, chronologically, enjoy the DMK!



Shake The Disease


Strangelove


Everything Counts


Black Celebration


Enjoy The Silence


Just Can't Get Enough



I hope you enjoyed this journey.  Makes you want to find a favorite band and teach the kids some songs, doesn't it?  Oh, btw, the kids have another sibling that was born this year.  So, I don't know if they will need to change the group's name by then or if they will have to start doing New Order covers.  Have a great weekend!

Friday, February 22, 2013

Surfing The Ocean Blue


I've had this band on my brain for the last week. This 1989 hit single by Hershey, Pennsylvania's The Ocean Blue really brings me back.  The band just has a sound that is hard to describe... hence the reason that they were absorbed under the alternative college rock description at the time.  Just listen to the breathy vocals and that great guitar solo.  Love their stuff.

The reason they are on my mind is that they are releasing a new album.  They have even previewed a few tracks here and there including another song that just sticks in my head:  "Sad Night, Where Is The Morning."  Enjoy it.

Wednesday, February 29, 2012

Non-R.I.T.: "I'll Love You Forever"

It's hard to not be a fan of the Monkees. "Stepping Stone," although sung my Micky, is a personal favorite that my mother had on a 45 -- and I played incessantly in my youth. If you don't like their pop music, love their courage to bring little known guitarist Jimi Hendrix out on tour to support them in 1967. Heck, Davy Jones is the reason another David Jones changed his name to David Bowie (to avoid market confusion.) Anyhow, the song below is a live version of Jones' 1984 holiday single which was only released in England. We will love him forever. (Song starts 1:20 into the video.)

Sunday, February 12, 2012

Non-R.I.T.: "I Know Him So Well"

Non-random post. Didn't really know how I wanted to approach Whitney's passing yesterday as there was the initial shock, the moment I thought about the loss of Amy Winehouse, the anger at losing one amazing voice and the sadness that her loved ones will face in the future. As a musicologist, I look at her debut album and smile. Duets with Teddy Pendergrass and Jermaine Jackson, bass by American Idol's Randy Jackson, keyboards by Richard Marx, guitar by Dann Huff and backing vocals by her mom Cissy. Huge record setting album but speaking of her mom... here's a duet they did for the follow-up album. The song was written by Tim Rice and ABBA's Bjorn Ulvaeus and Benny Andersson for the musical Chess but would become the final single released off Houston's Whitney album in 1988.

Saturday, February 11, 2012

R.I.T.: "Free"

Today's R.I.T. is Big Audio Dynamite's "Free." Released in 1989 as the first single off of the soundtrack to Flashback, the song would go to #22 on the U.S. Modern Rock Tracks chart. It would not be released on a BAD album (until their 1995 Planet BAD 'best of') but a reworked version called "Kickin' In" would surface on their Kool-Aid album. Really should have also done a show on Big Audio Dynamite when I could... well, and also Mick Jones' previous project, The Clash. Have a great weekend.


Monday, January 30, 2012

R.I.T.: "The Seventh Stranger"

Today's R.I.T. is the 1983 album track, "The Seventh Stranger," that closes Seven And The Ragged Tiger. The song was reportedly a favorite of Simon and Nick's that they wanted to see released as a single but their label, Capitol, wanted something more dance oriented. The song, as well as its preceding track "Tiger Tiger," gave the album its title. Crank it up and enjoy.

Saturday, January 28, 2012

R.I.T.: "The Sweater"

Today's R.I.T. is Canadian writer/performer Meryn Cadell's amazingly funny "The Sweater." The 1992 single was a surprise Canadian Top 40 hit and received a lot of airplay on college radio (helping it reach #24 on the U.S. Modern Rock chart.) Cadell's first independent album was released in 1988. The album, Angel Food For Thought, was re-issued in 2007.

Thursday, January 26, 2012

R.I.T.: "Long Long Way To Go"

Today's R.I.T. is Def Leppard's "Long Long Way To Go." Released in 2003 as a single off of their X album, the song went to #40 in the U.K. The song is currently their last hit to chart there. Brilliant lyrics and haunting undercurrent. I was honored when the label asked to use my album review to help promote the single... just wish it got a little airplay here in the U.S. Instead, the U.S. market pushed the song "Four Letter Word" (which would be their most recent chart hit here.)

Friday, January 20, 2012

R.I.T.: "Donald, Where's Your Troosers?"

Today's R.I.T. is Andy Stewart's "Donald, Where's Your Troosers?" No, really, that's the song and how it's spelled. It's a rendition of a traditional Scottish song by the then popular musician and television personality. The 1961 novelty #37 U.K. hit by the Scotsman resurfaced in late 1989 in the U.K. peaking at #4. Be sure to hear the whole song, though.

Monday, January 16, 2012

R.I.T.: "Dominoes"

Today's R.I.T. is "Dominoes" by Robbie Nevil. Released as the second single from his self-titled debut album in 1986, the song would go to #14 in the U.S. Nevil started his career songwriting for Earth Wind & Fire, the Pointer Sisters, El DeBarge, Al Jarreau among many others before getting his moment in the sun. After a few more albums, he'd return to songwriting for Starship, David Lee Roth, K-Ci & JoJo, Aaron Neville, Jeff Lorber, Hannah Montana, Jonas Brothers and something called High School Musical. I think I need to reappraise my blame for the last three.